Tutor: Ms. Scicluna
Date Uploaded/Updated: 14/01/16
Pictorialism: Photography as art but not anti - photographic art
Robinson: Fading Away (1858) |
Rejlander: Ways of Live (1857) |
Manipulation wasn't considered as 'anti-photographic' similar to Rejlander or Robinson manipulations, other Pictorialists have engaged themselves in composing photographs. It was almost consistent that their disapproval to this form of manipulation.
Emerson. P.H: Throwing the Cast Net (1886) - Process used (platinum print) |
Peter Emerson was a different type of pictorialist photographer - focusing on naturalistic photography which a photograph speaks nature for itself, but it speaks for itself whilst the photographer adjusts the camera in a different manner that is captured by the human vision. Various pictorialists create a different process than that of Emerson's, which intentionally selects hand manipulation of the print, that to not use an anti-photographic aspect too much as a try to find a belief that self-expresses and to separate the photograph, for it to have a signature style. This type of anti-photographic process is often one of the particular criticisms of pictorialism that the work is little more than an interpretation of another artwork.
References
The End of Fact? Pictorialism <http://www.radford.edu/rbarris/art451%20Hist%20of%20Photog/pictorialism.html>
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